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Casino Blu Ray Review VideoMartin Scorsese's Movies: Goodfellas & Casino (Blu Ray Review)
Casino blu ray review -Skip to content Beste Spielothek in Böhmen finden.. Neueste Kommentare Der Prinz von Ägypten. Erstaunlich gute Bildplastizität mit meist guter Tiefenwirkung. Maykl arbeitet seit Kurzem als Mädchen für Alles im Spielkasino. Deutsch Wie schon das Bild, so spielt auch der Ton nicht in der höchsten Liga mit. Ausgewogenes Kontrastverhältnis mit meist sattem Schwarzwert. Dort steht er Le Chiffre Mads Mikkelsen gegenüber, einem rücksichtslosen Finanzier, der von seiner Kundschaft aus dem Terroristenmilieu bedroht wird und nun bei einem Pokerspiel seine Kasse aufzufüllen versucht. Versionen Diese Blu-ray ist ebenfalls in folgenden Versionen erhältlich: Wer mit Scorsese's Gangsterfilmen aber nicht viel anfangen kann, wird auch hier nicht wirklich auf den Geschmack kommen. Das macht den Film keineswegs zu einem schlechten Streifen, aber man hat von Scorsese schon besseres gesehen. Deutschland, Schweiz, Österreich und Luxemburg. Ebenfalls unschön ist, dass es bei schnellen Kameraschwenks des Öfteren zum Nachziehen des Bildes kommt. Der toll gefilmte Streifen kommt auf Blu-ray richtig gut zur Geltung und weist bildmässig nur wenige Schwächen auf. Die Dialoge sind zu jeder Zeit klar und deutlich zu verstehen. Etwas besser schneidet das ' U-Control '-Feature bei dem es mittels Bild-in-Bild Einblendungen während des Films zusätzliche Kommentare von Regisseur Scorsese und seiner Crew zu sehen gibt - inklusive der obligatorischen Set-Aufnahmen. Dokumentationen Meine Szenen Regie: The thumbnails are loaded from YouTube servers, but those are not tracked by YouTube no cookies are being set. Am wenigsten gefällt die deutliche Grün-Einfärbung auf schwarzen Oberflächen in dunkleren Szenen. Im Vergleich dazu schwächelt der meist eher frontlastige Ton zwar etwas, aber dafür hat die Disc noch einige Extras. Dienstag, 09 Oktober - - - - - -. Probably the best performance in the film belongs to Sharon Stone as DeNiro's wife who is at heart a hustler. The film is fascinating www.book of ra giochi gratis how it portrays Las Vegas as a shimmering city which under it's surface is motivated by greed and avarice, which in turn breeds paranoia. In a now-disturbing trend, Universal has decided again to remove most of the standalone supplemental material from previous releases and repackaged them in a picture-in-picture format grande casino Blu-ray. Casino Blu-ray, Video Quality. In this case, we see Ace walk to his car, get in and turn the ignition. This fresh Blu-ray version is the equal to the previous HD DVD in terms of video, and even better with audio thanks to the inclusion of a high-res track. Joe Pesci plays a similar character to his trademark performance in GoodFellas. This web site is not affiliated with the Blu-ray Disc Association. The fascinating story reunites Robert De Niro and Joe Pesci for Beste Spielothek in Speltenbach finden solid hours of crime, greed and conspicuous consumption. This may be seen as a plus if you pick just one or the other to sit through, but rather extraneous together. Like most of its reissues on Blu-ray, Universal has gone one better in upgrading the soundtrack of Online free bonus casino. Brazil Criterion Collection [Blu-ray] Buy: The level of detail is also quite extraordinary as it features sharp and vivid images that provides and an almost 3-D-like quality to the movie. Doch in der Sekunde seines Triumphs spielt ihm jemand mit echter Magie einen Streich und bringt ihn um fünf Millionen Dollar. Er kennt jeden und jeder kennt ihn. ThrillerDramaKrimis. Er nutzt deren Systeme aus, um die Casinos abzuzocken. Der Prinz von Ägypten. Das macht den Film keineswegs zu einem schlechten Streifen, aber man hat von Scorsese schon besseres gesehen. Hiermit Beste Spielothek in Zegast finden sich mittels der vier farbigen Tasten einer jeden Blu-ray Fernbedienung die eigenen Lieblings-Szenen des Films markieren, bet soft at an online casino und später abspielen. Auch wenn ' Casino ' wie ein Las Vegas-Epos spider casino ist, die eigentliche Story hätte auch unter zwei Stunden erzählt werden können. Die Blu-ray Umsetzung von ' Casino ', der Titel gehört im deutschsprachigen Raum zu den ersten paar Blu-ray Discs von Universal Pictures nach Игровой автомат Wild Panda — Бесплатный слот от Aristocrat Ende des Formatkriegs, macht für einen immerhin jährigen Film eine erstaunlich gute Figur - vorallem was die Bildqualität betrifft. Casino th Anniversary Collection. Maykl arbeitet seit Kurzem als Mädchen für Alles im Spielkasino. Angereichert mit ein paar schrulligen Figuren, die wohl eher Esoterik-Seminare geben sollten anstatt in Trickbetrug zu machen.
review ray casino blu -Muse - Worte können tödlich sein. Die Powerman Filme sind meiner Meinung nach Review von Thomas Raemy Aufgeschaltet am: Casino Steelbook th Anniversary Universal Edition gebraucht. Casino Blu-ray Original Filmtitel: Fachliteratur Romane Hörbücher Kinderbücher. Jackie Chan - Powerman 3-Disc Set. Er kennt jeden und jeder kennt ihn.
One sequence, however, is too dark. The fight on the stairwell with African bad-boy Obanno Isaac De Bankole loses a lot of detail in the impenetrable shadow of the tussle, which is a little disappointing.
Besides that sequence, detail is thoroughly excellent throughout most of the film. Depth of field is impressive and provides that all-important three-dimensionality, with the collapsing house in Venice, the crowded plaza and the cobbled streets of Montenegro looking phenomenal.
But the building site chase and the gun-blazing destruction in and around the embassy offer tremendous levels of finite visual information packed into a busy, fast-moving frame.
Close-up detail is also extremely good. At the flicks I remarked - somewhat anally, I admit - that you could see the tiny spots of Daniel Craig's shaving rash and that this would be a good thing to reveal the clarity of the disc transfer.
Well, worry not, zit-fans, for they are still perfectly rendered here, too. In fact, every crag, crevice, cut and graze that Bond has are lovingly captured in glorious hi-definition.
On the digital front I did, sadly, detect some slight motion-drag and aliasing, and there was a very small degree of noise in the image from time to time.
Though, and let me stress this, none of these factors conspired to take much away from what is, essentially, a truly warm, engrossing and spectacularly colourful and vivid picture that is a joy to watch again and again.
I was quite enamoured with the soundmix when I first discussed it. I see no reason to deviate from the opinions I put forward back then. Perhaps even better than the image transfer, folks, this lossless track really lifts the experience right up into a different zone altogether.
To put it quite simply, this is has always been a favourite track of mine, and is certainly one of the best produced soundtracks around.
Casino Royale has a nigh-on faultless audio mix that seems to go further in terms of detail and power than the mix I heard at any of the cinemas I saw the film at originally.
For a start, David Arnold's score and even Chris Cornell's song have been bestowed much more in the way of surround activity, really bringing the music into play in a much more dynamic and surprising manner by pumping out lots of little incidental notes and sundry elements from the rears that I, for one, had never heard before.
Just listen out for the echoing guitar effect that warbles its way around your ears during the moment when Bond gets off the plane in Nassau.
The bass levels are astonishingly deep and full-on, rooting every impact, big or small - from rampaging fuel trucks and whooshing jet engines to the clanging of a steel door and the rolling thuds of a spinning Aston Martin - with strength and a realistic reverb thrown at you with enough aggression to press the ribs.
The high ends are well held and scintillatingly sharp and clear, and the mid-range is constantly warm and enveloping, leading to a track that is thoroughly and comprehensively detailed.
Steerage is impeccable, with bullets, cars, explosions and voices all channelled perfectly around the set-up. Panning is always seamless and the film features many sweeps back to front, front to back and from every which way but loose around the speakers.
There is activity taking place around you at almost all times and it is delivered with nothing short of total realism and a full-flowing naturalistic sound that is the realm of only the most intelligently thought-out and produced mixes.
Even the quietest scenes have perfectly integrated ambience to keep you immersed in the film. For all the bombast that rocks the room, the dialogue is never swamped or submerged and delivery is always first class, from the eerie accent of Vesper to the gloriously growly, smoke-filled voice of Giancarlo Giannini's Mathis, and from the starched-yet-warm commands of M to the strong and layered tones of Bond, himself.
But, for a second, let's just revel in the juicy stuff that the soundmix provides. Listen out for Mollaka's gunshots during the crane-sequence - we hear the rounds firing front and centre and hear the wonderfully metallic snap of the ejected cases issuing out from almost behind us.
The fantastic moment when Bond drags Mollaka down machine-gun alley in the embassy has glass, bullets, wood-splinters and ricochets engulfing the room with pin-sharp precision and devastating directionality.
The terrific bit when the police vehicle is swept up in the draught-blast of the plane's engine and the earlier deluge in the airport when the sprinkler system goes off.
The sound of the big air bags supporting the floating house hissing when raked by bullets and the awesome sinking of the building, itself, with masonry tumbling, stairs and landings giving way and, of course, the incessant gunfire and fist, knee and foot impacts.
Listen out for the lift as it plunges into the water and the resultant surge around the speakers when Bond dives under.
And then there's the crystal clear presentation of every gunshot in the film that literally poke through the air with a crunching thump.
Extremely well-designed, folks, and enormous fun to become immersed within. We have had the original release, which was extremely disappointing when it came to supplements.
And then we had the Deluxe Edition that came out a couple of years later and, really speaking, we now have the best of both worlds with this release, although it does, rather perplexingly, miss out the Bond Girls Are Forever documentary and several featurettes.
The Road to Casino Royale Ian Fleming's Incredible Creation James Bond in the Bahamas Interesting to see how things have changed over the years, and to hear from inhabitants who have contributed to the films.
Secret Road to Paradise Death in Venice Featuring interviews with Craig, Martin Campbell and Judi Dench, this is a pretty decent look at how the franchise took a gamble in its new re-imagining.
Great to see Craig making his debut before the media by zooming up the Thames under escort from the Royal Marines.
Opening with the operatic strains of Bach's "Matthaus Passion" and the indelible image of Robert De Niro tumbling through the air, Martin Scorsese's Much like its predecessor, the film followed the travails of a coterie of tough guys and mob men as they plied their trade in, out and around legitimate society; but rather than attacking Nicholas Pileggi's material with restraint and precision, as he did in Goodfellas , Scorsese works with the writer's material to develop a tale not only of crime, punishment and retribution, but one writ large against one of America's last great decadent frontier- Las Vegas.
As Scorsese himself describes, the film is heavy on plot but light on story: Sam 'Ace' Rothstein relocates to Las Vegas to run the Tangiers casino, only to find trouble when one of his cohorts, Nicky Santoro Joe Pesci , leaps into the fray and disrupts his tenuous hold over the quasi-legal proceedings.
Further complicating things is Ginger a never-better Sharon Stone , a high-class Vegas call girl who mesmerizes Ace to increasingly destructive effect.
Unlike few movies made in the past two decades, Casino embodies 'epic' filmmaking with acquiescing to its soul-deadening conventions.
Scorsese's camera, perhaps never more agile and ambitious than demonstrated here, pirouettes in and out of the action including a POV shot through a cocaine straw and creates an illusion of fluidity, even as the walls come crumbling down around the characters.
The acting, meanwhile, ranks as some of the best displayed by all involved: De Niro is at his rigid best as Ace, who controls every aspect of the Tangiers business, down to how many berries go into each off the kitchen's muffins; Pesci has never been more frightening or fragile as Nicky, a sociopath whose self-possession catastrophically outweighs his good judgment; and Stone's Ginger is a manipulator and hustler who hypnotizes the audience as surely as she does Ace in one unforgettable moment.
Scorsese fans occasionally dissociate this film from the ranks of the director's best because it came so quickly after Goodfellas , and sometimes feels as if it covers the same ground; but the film's true focus- the implosion of a mob-controlled Las Vegas- works most effectively when it's juxtaposed with the personal peccadilloes of the three main characters, who if nothing else know expertly well how to screw up a good situation.
As such, it still maintains the same potency it did back in , and remains one of the great portraits of cinematic excess. Featuring a new encode using VC-1, this p 2.
Most probably taken from the same master as the HD-DVD, this transfer brings Robert Richardson's exceptional cinematography and Scorsese's creative vision to life in ways that could never be achieved on standard definition video.
Like its Las Vegas setting, the video presentation is glitzy and features high contrast levels. Bright lights are often juxtaposed with the inky darkness of the night.
Pair that with really deep blacks and natural-looking skin tones and you get images that will amaze even the pickiest videophile.